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		<title>The Déjà Vu Upmix Algorithm</title>
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		<dc:creator><![CDATA[Rolf Taylor]]></dc:creator>
		<pubDate>Tue, 23 Aug 2022 19:14:29 +0000</pubDate>
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					<description><![CDATA[[August 2022] Handling audio correctly has never been so important as it is now, with all the pressures from streaming and harsh codecs making mincemeat out of program audio. Indeed, most experienced audio engineers know there is often more “in there” lost in the mix than most people can or will hear. Frank Foti has [&#8230;]]]></description>
		
		
		
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		<title>Sounding Off on Audio: Dynamic Range in Radio, Audio &#038; Life</title>
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		<dc:creator><![CDATA[Bob Burnham]]></dc:creator>
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					<description><![CDATA[[February 2019] The “sound” of a radio station is a product of many factors, all contributing to what – each Program Director hopes – is a package that attracts listeners. How to get there is the theme of Bob Burnham’s thoughts. At one time – when I was not even yet a teenager – I [&#8230;]]]></description>
		
		
		
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		<title>Audio Sounds: A Broadcast Engineer Discovers An Audio Wonderland</title>
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		<dc:creator><![CDATA[Kimberly Sacks]]></dc:creator>
		<pubDate>Sun, 19 Dec 2010 13:07:36 +0000</pubDate>
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					<description><![CDATA[[December 2010] The Audio Engineering Society (AES) is often overlooked by broadcast engineers because it does not usually focus as much on the RF side of things as some of the other conventions. Kim Sacks not only attended, but was on a panel at this year’s AES convention – and discovered a very good place [&#8230;]]]></description>
		
		
		
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